“The coach is not someone who contemplates, and it’s not even someone who thinks. A coach is someone who creates”. Paraphrasing Deleuze allows us to highlight the importance of acting and creating. These are the common traits of the coach and the philosopher.
When we have a subject to deal with, we construct a concept which is similar to an amalgam of ideas and stacked aggregates, whose composition is completely original and in a certain way arbitrary. We give ourselves the means to explore a specific need in a contextualized framework. It is the encounter with the other in a space-time that triggers the whole process. The body unites with the heart and the spirit. The accompaniment is physical and the exercise is felt in our whole body. It’s not just mental.
There is no great or bad work. There is an intention which expresses itself, which also evolves over time and an idea whose plastic moves like an amoeba which deforms by emitting its protrusions.
Like an abstract painting integrating several necessary layers of paint, their superposition and their entanglements will reveal emergences that will give meaning to those who engage. We tend towards the beautiful, the sublime. Gestures can be incongruous, daring, they are never hesitant. Each gesture has its raison d’être. We are moving forward, but we are also going backwards. Creation allows mistakes and missteps. Our hypotheses make it possible to relaunch the action and will facilitate a change of perspective.
In the pursuit of the creative act, one follows one’s intuition so that the composition reflects the essence of the subject. The synthesis will redefine the contours of the concept by describing its characteristics. We must dive into the depths of the other to bring out hidden treasures, but these discoveries will be fully returned to him.
The creative power compels us to a result. It is the vital energy and our desire for performance that will accompany us on this journey.
